Objective:
The course introduces
students to the world of professional, non-fiction writing and focuses
on principles of style, the process of editing ones own and
others work, and trends in publishing.
Content:
Classes include
lectures, some in-class assignments, and discussion. Some of the topics
we consider throughout the semester are:
Grammar,
punctuation, and syntax and how to make them work for you instead
of against you
Word use
and misuse: a lifelong pursuit and problem
Proofreading,
line-by-line editing, and other technical tricks of the trade
Structure
and style and how to recognize and develop them
Getting
started and sticking with it, psychological tricks of the trade
The theory
and practice of revision, revision, revision
Finding
your own voice
Issues
of editorial control and freedom
The printed
word: where it came from and where it is going
During the first
half of the semester, each student will write and revise (and revise
again) a major piece of non-fiction writing. During the second half
of the semester, students will work in teams to write, edit, and produce
a newsletter and thereby acquaint themselves with the procedures, pleasures,
and problems of publishing.
Expectations:
Students should
be prepared for quizzes, a fair amount of reading outside class, and
a writing/editing assignment every week. Regular attendance is important
because each class builds on the work of the previous class. All assignments
should be word-processed. Students who miss any class must arrange to
get notes and assignments from another student, not from the instructor.
Grades:
Following is a
description of how the instructor assigns grades.
A work at a
level of professional excellence
A- work that
approaches professional excellence
B+ work at a
level of professional competence
B work that
approaches professional competence
B- above-average
work that remains flawed or fails to fulfill potential
C+ average work
that nevertheless shows promise
C average work
D+ below average
work
D unacceptable
work that is nevertheless turned in
Required Texts:
On Writing Well,
William Zinsser
Woe Is I,
Patricia T. OConnor
A Pocket Style
Manual, Diana Hacker
Supplemental, Recommended
Texts:
A good dictionary
such as The American Heritage Dictionary of the English
Language
Line by Line:
How to Edit Your Own Writing, Claire Kehrwald Cook;
The Chicago
Manual of Style (University of Chicago Press)
The Associated
Press Stylebook (Addison Wesley)
The Transitive
Vampire, Karen Gordon (Times Books)
Writing Well,
Donald Hall (Little Brown)
Simple and Direct,
Jacques Barzun (Harper and Row)
The Art of Fiction,
John Gardner (Vintage)
The Writing
Life, Annie Dillard (Harper and Row)
Becoming a
Writer, Dorothea Brande (Houghton, Mifflin)
Writing to Learn,
William Zinsser (Harper and Row)
One Writers
Beginnings, Eudora Welty (Harvard University Press)
The Careful
Writer: A Modern Guide to English Usage, Theodore Bernstein (Atheneum)
Soules
Dictionary of English Synonyms, Alfred D. Sheffield, Ed. (Little,
Brown)
Modern English
Usage, H.W. Fowler (Oxford University Press)