ENGL 351
Ancient Mythology and Modern Myth
NOTE: This is representative of the syllabi for this
course. It is not necessarily the syllabus being used in any one semester.
I. Introduction:
The Nature and Power of Myth
Joseph Campbell, The Message of the
Myth (video)
Myths of Creation
Genesis 1 & 2 (handout)
excerpt from Hesiod, Theogony
(handout)
Ovid, pp. 3-5.
Myths of Divine Wrath
Genesis, 3 & 6-9 (handout)
excerpt from David Leeming, The
World of Myth (handout)
Ovid, pp.5-16 (through the first
twelve lines on 16)
II. The Hero and the Overreacher
Mary Renault, The King Must Die
Ovid, pp. 209-19
(Heracles/Hercules), pp. 166-67 (Theseus), pp. 181-90 (Daedalus and Icarus),
pp. 26-38 (Phaethon) "Hercules Lives" (handout)
review of Hercules, the Disney
movie (handout)
"Daedalus and I"
(handout)
Ovid, pp. 119-25 (Ceres.
Proserpina, and Hades)
handout on the Eleusinian mysteries
Joseph Campbell, "From
Darkness to Light: The Mystery Religions of Ancient Greece" (video)
G.S. Kirk, "The Relationship
Betwen Myth and Ritual" (handout)
III. Retribution and Atonement
Aeschylus, The Oresteia !
Eugene O'Neill, Mourning Becomes
Electra
T .S. Eliot, The Family Reunion
IV. The Rites of Spring: Death and Resurrection (April
10-17)
a baseball movie
George Plimpton, "The Curious
Case of Sid Finch" (handout) Murray Ross, "Football Red and Baseball
Green" \ "'Play Bail'" (handout)
V. Loving and Losing
C.S. Lewis, Till We Have Faces
Ovid, 234-37 & 259-61 (Orpheus
& Eurydice)
Black Orpheus (film)
paper due May 15
FINAL EXAM: May 24, 8:30 a.m.
REQUIREMENTS & EXPECTATIONS
1. Regular
attendance is expected. Your grade will suffer if you miss more than four
classes.
2. Participation
in class discussion is strongly encouraged.
3. The
readings listed above will be supplemented by additional handouts, including
cartoons and poems. Please save all handouts in a folder of some sort and keep
them with your class notebook.
4. In
place of a midterm, there will be occasional announced quizzes or brief essay
tests on the material.
5. The
paper (approximately a thousand words long) should focus on a modern adaptation
of an ancient myth, an adaptation that is not included on this syllabus. I will
provide you with a list of possibilities and with further instructions as the
term progresses.
6. In
determining your grade for the course, I will give equal weight to 1) the
average of the grades for the quizzes/essay tests mentioned above, 2) the grade
for the paper, and 3) the final exam grade.
7. I
recommend that you purchase, in addition to the required texts listed below,
either Zimmerman's Dictionary of Classical Mythology (Bantam) or Tripp's
Meridian Handbook of Classical Mythology (New American Library).
8. I
want to call your attention to a two-volume work that is available in the
reference section on the second floor of our library: The Oxford Guide to
Classical Mythology in the Arts, 1300-1990s, compiled and edited by Jane
Davidson Reid. The call number is REF NX650.M9R45.10. 1993.
TEXTS
Aeschylus, The Oresteia
(Penguin)
T.S. Eliot, The Family Reunion (Harcourt Brace Jovanovich)
C.S. Lewis, Till We Have Faces (Harcourt Brace Jovanovich)
Eugene O'Neill, Three Plays (Random House)
Ovid, Metamorphoses
(Indiana University)
Mary Renault, The King Must Die (Random House)